Counterpublic but obedient: a case of Taiwan’s BL fandom     

Feichi Chiang 《Inter-Asia Cultural Studies》2016,17(2):223-238

BL (Boys’ Love) fandom has been regarded as a counterpublic by some academics since 2005. In this article, I investigate the dispute over “real-person” texts (texts based not on fictional characters but on real people, both public and non-public figures) on the BL board of PTT BBS in Taiwan as a case-study. The dispute is significant in the sense that, ostensibly, there were a few young female BL fans who actively defined what the BL scene consists of, as only these young women were involved in the dispute. Nevertheless, a closer look at the dispute reveals that the mainstream values actually played a significant role in framing the fandom in question. I then argue that the objection to the real-person texts should be regarded as a refusal by the BL fandom to be part of a counterpublic. The dispute started with a clarification of the genre, equating real-person with real gay people, BL with fantasy, and gay with reality. It is on this basis that real-person texts were not regarded as part of BL practices. Moral issues, such as respect and politeness, were also raised to question real-person texts. The conflict intensified, leading finally to the total exclusion of real-person texts from the BL board. To sum up, the dispute over real-person texts demonstrates how BL fans actively (re)formed the shape of the BL board; at the same time, it represents a refusal and exclusions, which place this counterpublic into question.  相似文献   

Arts education partnerships: sources of harmony and dissonance with cultural institutions’ collaborative efforts     

Daniel H. Bowen  Brian Kisida 《Cultural Trends》2019,28(5):379-390

ABSTRACT

Due to budget constraints, schools in the United States have increasingly turned to community arts organizations for support. School-community arts partnership stakeholders collaborate because of shared missions to provide students with valuable arts learning experiences. Investigations of these initiatives indicate that these partnerships improve arts learning opportunities and increase public support and resources for arts education. However, not much is known about the experiences and perspectives of the arts organizations that participate in these partnerships. Coordinating collective efforts with a multitude of institutions and interests poses challenges. In this study, we examine survey data collected from arts organization administrators who participated in a large-scale school-community arts partnership initiative. We find that these organizations are generally positive about their impacts on students’ educational outcomes, but there is substantial variation in these views. We also find that organizations differ in their levels of support for these collective efforts. Sources of this variation appear to be attributable to organizations’ preexisting resources and extent to which they are established. While this difference in levels of support is potentially inevitable, we find evidence that the operations handled by the “backbone” organization, i.e. the initiative’s facilitators and overseers, can significantly influence organizations’ levels of support for these efforts. Organizations are more likely to support these collaborative efforts when they believe the backbone organization ensures transparency with initiative operations, provides regular, effective communication, and effectively resolves competing priorities.  相似文献   

文化“双核”理论视阈下我国龙舟体育文化传承的内容逻辑及范式研究*     

周次保  王亮  魏瑶  刘明 《广州体育学院学报》2016,(3):33-38

从文化“双核”理论的视角看,我国龙舟体育文化的传承内容及范式是龙舟体育文化人才培养工作的关键问题之一.运用文献研究、问卷调查、专家访问、数理统计与逻辑分析等方法,对我国龙舟体育文化的传承内容及范式进行了深入探讨.结果表明:我国龙舟体育文化传承的主要内容包括龙舟精神文化、龙舟竞渡文化、龙舟教育文化、龙舟娱乐文化、龙舟物质文化与龙舟经贸文化等六类亚文化及其它们所涵盖的二十种具象文化.而我国龙舟体育文化传承的基本范式可概括为基于血缘关系的宗族传承范式、基于自在自发的民间传承范式、基于政府促进的社会培养范式与基于学校领域的教育培养方式.廓清上述龙舟文化的传承内容及范式对于当下我国龙舟体育文化传承人才培养工作面临的难题破解具有重要价值.  相似文献   

Arts councils,policy-making and “the local”     

Victoria Durrer  Abigail Gilmore 《Cultural Trends》2019,28(4):317-331

ABSTRACT

In the British Isles, national policies for the arts are primarily viewed as the responsibility of arts councils with statutory duties to distribute state funding that meet the requirements of both “arms-length” principles and national strategic frameworks. This paper explores the tensions between policy making for the nation-state and for “the local” through comparative research on the arts councils (and equivalent bodies) in Scotland, England and Northern Ireland. Drawing on in-depth qualitative interviews with senior representatives from these organisations, it explores their notions of, responsibilities to and affiliations with “the local”. Findings suggest that despite their different models and relationships to the nation-state, and the disparities in the scale of investment, these national policy bodies commonly rely on networked governance to facilitate their relationship to “the local” which risks reproducing national interests, limiting the localised agency of place-based approaches and contributing to a culture of competition within cultural policy.  相似文献   

体育非物质文化遗产利益相关者及政策启示     

王力  汤立许 《武汉体育学院学报》2019,53(1):62-68

如何辨别和协调相关者利益，成为非物质文化遗产保护与可持续发展的一个现实问题。通过实地调研，以"利益相关者理论"研究视域，辨析体育非物质文化遗产利益相关者的类别。研究表明：体育非物质文化遗产各主体因角色不同，利益出发点和关注点不同，文章提出以责任、诉求和能力三个维度，将体育非物质文化遗产利益相关者划分为核心、蛰伏以及边缘三类利益相关者，并对利益相关者管理提出了若干思考，以期为我国非物质文化遗产的继承与发展，提供理论指导与实践支持。  相似文献   

On Affective Communication-From Perspective of Cultural Context     

杨佩佩 《海外英语》2014,(12)

Nowadays, cross-cultural study is turning to pragmatic fields concerning communication, such as business negotiation, overseas life and language teaching, etc. This paper reviews previous studies of cu...  相似文献   

Culturalisation and devices: what is culture in cultural economy?     

Lizzie Richardson 《Journal of Cultural Economy》2019,12(3):228-241

Theorisation of culture is often absent from research on production in the creative and cultural sector. Further, cultural production has been largely untouched by the insights of the cultural economy approach. Culturalisation is a means of addressing the question of what constitutes culture and thus a cultural (economy) approach. It is the process by which culture and cultural production combine in the ‘operationalisation of the real.’ Culturalisation underpins much scholarship in this journal by posing the (economic) real as a problem of definition in order to illustrate the operations involved in its temporary resolution. The implications of this position need further addressing. There is a feedback between culture as a problem of definition and a cultural approach. Devices can interrogate the relationship between processes of cultural definition and the conceptual parameters of a cultural economy approach. Workshopping, projects and events are put forward as cultural devices emerging from a 10-month ethnography of literary performance in Bristol, England. This illustration shows firstly, how culturalisation occurs in a designated cultural sector to contingently realise culture; and secondly, the implicit logic of cultural economy as culturalisation, typified by the device as method, so as to open a debate concerning its implications.  相似文献   

高职大学英语真实性课程评价方案的设计     

尹衍杰 《邢台职业技术学院学报》2014,(3):11-15

真实性课程评价是近十几年来国际流行的课程评价方式,其能力本位的评价特点,决定其可以在高职大学英语能力培养方面起到重要作用。为实施高职大学英语真实性评价,需要根据高职各专业的英语能力需求,在英语课程评价各个环节进行真实性的设计,其中文化演练部分的评价设计是真实性评价设计的核心。  相似文献   

披帛与丝路文化交流     

卢秀文  徐会贞 《家教指南》2015,(3)

披帛是通过丝绸之路传入中国的西亚文化,与中国服饰发展的内因相结合而流行开来的一种"时世妆"的形式。沿丝绸之路所发现的披帛,反映了丝绸贸易的活跃。敦煌、吐鲁番地区发掘的披帛与中原地区特别是唐长安地区出土的披帛几乎相同,属于同时代的产物,经历了一个相互继承、汲取而发展的过程。  相似文献   

A Contrastive Study of the Chinese and British Table Manners     

LI Ling 《海外英语》2015,(2)

The table manners refer to the rules and standard of behaviors that people should abide by in the formal dining process?es. Due to the different cultural backgrounds, there are different cultures of ta...  相似文献